TECHNIQUE Poster Competition
During the Winter 2019 semester, S.P.A.C.E. put out a call to Illustration students at Dawson College to propose a poster that would serve as the public visual representation of the upcoming S.P.A.C.E. theme.
In 2019/2020, the theme was TECHNIQUE, and so in early 2019 S.P.A.C.E. met with interested Illustration students to explain the various aspects of TECHNIQUE that we hoped would be portrayed in the poster.
Six students created posters as well as reflections on their work that they pitched to the S.P.A.C.E. team. Three of these poster prototypes and reflections appear below. (Note: at the time that the students were working on their posters, S.P.A.C.E. was playing with the idea of an M-dash to replace the “N” in TECHNIQUE, creating TECH-IQUE, though this idea was later dropped.)
As we are every year, the S.P.A.C.E. team was impressed by the thought, attention to detail and indeed technique that each student displayed in their proposal.
On the left is the final version of the 2019/2020 S.P.A.C.E. theme poster created by Maggie Zeng.
At the time of the competition the Illustration students were in the second year of the Illustration program. Below are three prototypes, and, reflections on the process of creating experienced by the students.
To begin with my creative process, the first question I asked myself was ''What is technique?'' for me.
The clearest thing that came to mind was that technique was about learning, but not only that. It's also about going above and beyond what you currently can achieve. It's about learning new ways of thinking and adapting with new techniques, new goals and new limits by constantly evolving with what's around you, at the same time that the world is evolving as well.
Technique doesn't really matter with where you are in life - Young, Old, Student, Self-employed, Employee, Artist - since it's about doing something different than the others, by evolving with yourself and what you love. It's about where you come from, and where you will go.
My interpretation of technique represents this particular school of thought. This life-long learning curve with all the roads that you have to borrow from to go where you want to go.
In her work, Audrey Gravel loves to produce art that strikes the viewer’s curiosity through light and color. She is constantly inspired by her surroundings, the Victorian era, and Japanese Culture. She creates her version of the world through diverse mediums but mostly through digital painting, gouache and pastel. You can view more of Audrey's work through her Instagram.
As I came to think about the concept of "TECH-NIQUE", the first thing that popped into my head was my childhood. What were our ways of learning as we grew older? We painted, drew, counted and played with blocks, things that were mostly done using the three primary colours, which is why my colour palette (except for my character) consists of only bright red, yellow and blue. I also wanted to represent technique as a sensory thing: something that is heard, seen, touched and felt, something that is unclear to the eye, a learning and sensory experience, as seen through the waves and the blobs on the poster, with the title moving and shifting in front of the character. Finally, I wanted to feel the contrast, the simplicity and the fluidity of the concept of TECH-IQUE.
Chaimae Khouldi is currently finishing her 3rd year in Illustration, where she likes to play with shapes and composition. If she had to describe her style in three words, it would be bold colours, contrast with a touch of texture. You can view more of her work through her Instagram.
If I had to describe my concept in a single line, it would be "a city endlessly building itself". I wanted to convey the idea of a community built through the sharing of technique. I chose to do this through the image of hands interconnected and intertwined. The goal was to represent the idea of passing down technique from generation to generation or from individual to individual. However, because we are so fixated on “progress”, we might fail to see that we sometimes lose sight of what matters. As a result, I wanted to express a certain ambiguity in regards to our use of technique. Here, the city is a puzzle that is gradually put together (or perhaps taken apart). Though all the pieces fit, the puzzle may never be solved.
Maggie Zeng is an illustrator with a passion for storytelling. You can find more of her work through her Instagram.