SpaceLogo Sciences Participating with Arts & Culture in Education

By Andria Caputo October 19, 2011

Portishead: Live

Those familiar with Portishead will read this article and think that I am not doing them justice. I agree and I strongly apologize in advance, since such a band can merit more than a college-level student gushing over their work.

It’s October 6th, 2011, the very beginning of our luscious Indian summer. Portishead takes over the stage at the Quai Jacques Cartier. A crowd of devotees aged mostly 25+ gathers to take part in what is for them a sort of reminiscence of their adolescence/early adulthood. I can’t say the same for myself, since I am still a teenager. Regardless of age, everyone present is suddenly immersed in Portishead’s signature sound when they start with ‘Silence’. 

Beth Gibbons of Portishead What ensues is a two hour long set list of unbelievable magic that ranges from their 1991 debut Dummy to the latest Third: guaranteed hits like ‘The Rip’, where singer Beth Gibbons rips out a part of your heart and uses it to fuel the sadness of the song; ‘Machine Gun’,makes you feel like the sound coming out of the speakers is hitting and penetrating each inch of your skin like bullets from an actual artillery weapon; and ‘Glory Box’ generates uniform movement and hypnosis from the crowd.

For those few blissful hours, the warm wind, the throng of individuals moving to the music, the combined lights of the surreal effects of the stage’s screen and the lights emanating from the buildings of the Old Port, and your emotions and thoughts seem to move and form with the spellbinding music. They transport you to an exclusive niche removed from the rest of Montreal so that it’s only Portishead, you, and your countless comrades.

As soon as it started, it’s over. The band leaves the stage, with no words of adieu. The stage is still lit. Concertgoers are clapping and screaming for more. The band does not need much coaxing to return and once again grip you in with a stunning and emotional performance of ‘Roads’ and an all but too appropriate ‘We Carry On’.

The band leaves for good, the lights go off, and the crowd turns to leave. But as you walk away you can’t help but feel that you have undoubtedly experienced something that very few get the chance to take part in. This experience will be carried out in your mind for a long while.

Set List (if you wish to recreate it in your basement/room):

1) Silence
2) Nylon Smile
3) Mysterons
4) The Rip
5) Sour Times
6) Magic Doors
7) Wandering Star
8) Machine Gun
9) Over
10) Glory Box
11) Chase the Tear
12) Cowboys
13) Threads

14) Roads
15) We Carry On

About the author

Andria Caputo is a second year Liberal Arts student. She has a strong love and devotion for great music and literature, which will eventually lead her to financial ruin sometime in her life. She believes that if God were a woman, it would be Dorothy Parker.  She collects quotations that almost always end up being scribbled on her arm for lack of paper. She writes because it feels right. If she could live anyone’s life, it would be Pamela Des Barres. Please don’t mistake her for a hopeless romantic. Thanks.


  1. space-default-avatar


    November 30, 2011

    This article made me realize at what point I underestimate shows. When I heard of this show, my first impression was ” an other one like that”. Never have I realize at point Portishead can touch and make someone feel so profound.
    Reading this article made me realize that even if I do not like it myself someone else can be touched, that person might write some awesome article like this one and make me want to see Potishead. Reading an inspirational text like this makes me realize even more that I want to live that feeling you talked about. I want to know what it is like to be somewhere but not realizing you are actually there since the moment is so captivating.
    Continue writing, this is really good smile
    I honestly need to say at what point this article intrigues me.

You have to be registered and logged in in order to post comments!