A Dream I Had When I Was Wide Awake
Illustrated by Sebastian Reardon
Tick tock tick tock, is it a bomb or is it a clock?
Born a long-forgotten forget-me-not
With an electric fence for a heart and a barbed wire brain
Decapitating barbie dolls on the kitchen floor
Or another new toy that I simply can’t wait to destroy
Troubled child, evil child, go play in your room child
Growing up into disputed territory between me, myself and I
Marked with love bites and hate speech
Often spoken of but rarely spoken to
Some days away at the beach but most days at war
With an army led by a self-destructive commander in a silky night gown
Demanding you march into the ocean and never look back
No amount of swimming will keep you from feeling like you’re drowning
One day, you won’t wake yourself up to the ticking of the clock
You will come to the realization that people truly are open-books,
Only written in a dead language
Talking constantly without ever saying much at all
Still under the enforced, mundane delusion that pain is beautiful
Longing for stillness while aching for havoc
Reminiscent of being coaxed by impurities although never acknowledging it
I no longer think I owe this cultural wasteland a repressible form of beauty
Prepare for the silent revolution that is unapologetically losing yourself
Then again how petrifying words can be when nobody is saying anything at all
When you’re stranded in an empty room and yet people are finally talking to you
Yearning not to impulsively fill the silence with my fear of myself
Tick tock tick tock, always the bomb, never the clock
Comments
Adeline A.
January 25, 2020There are so many aspects of the poem that I love. For one, the juxtaposition of images in the third stanza are really beautiful in the way that they demonstrate internal conflict. I also admire the way that the line “Demanding you march into the ocean and never look back” paints a truly majestic picture in the readers’ minds, especially since the line before it mentions a “silky night-gown.” I really love the way that the poem ends with the same idea that it started with—the clock-bomb because it proves how thoughtful you were while writing it. It ties all the ideas mentioned in the poem quite elegantly.
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